Friday, June 13, 2008

Charlie Chaplin's"The Vagabond" (1916)


From archive.org: This is Charlie Chaplins 53rd Film Released July 10 1916 The Vagabond was a silent film by Charlie Chaplin and his third film with Mutual Films. Released in 1916, it co-starred Edna Purviance, Eric Campbell, Leo White and Lloyd Bacon. This film echoed Chaplin's work on The Tramp, with more drama mixed in with comedy. The story begins with Charlie, playing music to raise money, and instead finds the abused girl (played by Edna) living in a gypsy camp. As in The Tramp, he works on finding a way to help her.

http://www.imdb.com/title/tt0007507/

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Charlie Chaplin's "The Tramp" (1915)


From archive.org: This is Charlie Chaplin's 41st film. It was released on April 11, 1915.
"The Tramp" was Charlie Chaplin's sixth film for Essanay Studios in 1915. Directed by Charlie Chaplin, it was the fifth and last film made at Essanay's Niles, California studio.
"The Tramp" marked the beginning of The Tramp character most known today, even though Chaplin played the character in earlier films.
This film was the first departure from his more slapstick character in the earlier films, with a sad ending and showing he cared for others, rather than just himself.
The film co-stars Edna Purviance as the farmer's daughter and Ernest Van Pelt as Edna's father. The outdoor scenes were filmed on location near Niles From imdb:

http://www.imdb.com/title/tt0006177/

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Charlie Chaplin's "Kids Auto Race At Venice" (1914)




From archive.org: This is Charlie Chaplin's 2nd Film Released Feb. 07 1914 "Kid Auto Races At Venice" is 1914 American-made motion picture starring Charlie Chaplin in which his "Tramp" character makes a first appearance. Made by Keystone Studios and directed by Henry Lehrman, in it Chaplin plays a spectator at a 'baby-cart race' in California. The spectator keeps getting in the way of the camera and interferes with the race, causing great frustration to the public and participants. Chaplin's tramp character would go on to be one of the most beloved film icons in history. More info from idmb: http://www.imdb.com/title/tt0004189/

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Charlie Chaplin's"Making A Living" (1914)



This is Charlie Chaplin's 1st Film Released Feb. 02 1914Making a Living is the first film appearance of Charlie Chaplin, which premiered on February 2, 1914. Chaplin plays a lady-charming swindler, Edgar English, who runs afoul of the Keystone Kops. Chaplin's famed screen persona of "the Little Tramp" did not appear until the film Kid Auto Races at Venice. Find more Chaplin films: http://www.imdb.com/title/tt0004288/
An out-of-work swindler takes a job as a reporter. After witnessing a car go over cliff, he grabs a rival reporter's camera and races to the newspaper office to enter the photo as his own. His rival is delayed when he gets caught in a woman's bedroom by her jealous husband. The swindler follows the distribution of the paper containing his 'scoop' around town where he is once again chased by the rival reporter. Both end up on the cow-catcher of a streetcar. Written by Ed Stephan


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Stranger than fiction (2006)


Tagline: Truth is stranger than fiction.Plot Summary:One morning, a seemingly average and generally solitary IRS agent named Harold Crick begins to hear a female voice narrating his every action, thought and feeling in alarmingly precise detail.Harold's carefully controlled life is turned upside down by this narration only he can hear, and when the voice declares that Harold Crick is facing imminent death, he realizes he must find out who is writing his story and persuade her to change the ending.The voice in Harold's head turns out to be the once celebrated, but now nearly forgotten, novelist Karen "Kay" Eiffel, who is struggling to find an ending for what might be her best book. Her only remaining challenge is to figure out a way to kill her main character, but little does she know that Harold Crick is alive and well and inexplicably aware of her words and her plans for him.To make matters worse, Kay's publisher has dispatched a hard-nosed "assistant," Penny Escher, to force Kay to finish her novel and finish off Harold Crick.Desperate to take control of his destiny and avoid an untimely demise, Harold seeks help from a literary theorist named Jules Hilbert, who suggests that Harold might be able to change his fate by turning his story from a tragedy into a comedy. Professor Hilbert suggests that Harold try to follow one of comedy's most elemental formulas: a love story between two people who hate each other.His suggestion leads Harold to initiate an unlikely romance with a free-spirited baker named Ana Pascal. As Harold experiences true love and true life for the first time, he becomes convinced that he has escaped his fate, as his story seems to be taking on all the trappings of a comedy in which he will not, and cannot, die. But Harold is unaware that in a Karen Eiffel tragedy, the lead characters always die at exactly the moment when they have the most to live for.
IMDB:

"The Great Train Robbery" (1903)



In 1903, an employee of Thomas Edison's motion picture company produced a movie with a story. It was called "The Great TrainRobbery." It told a simple story of a group of western criminals who steal money from a train. Later they are killed by a group of police in a gun fight. The movie was extremely popular. "The Great TrainRobbery" started the huge motion picture industry. The Great Train Robbery was directed and photographed by Edwin S. Porter - a former Thomas Edison cameraman. It was a primitive one-reeler action picture, about 10 minutes long, with 14-scenes, filmed in November 1903 - not in the western expanse of Wyoming but on the East Coast in various locales in New Jersey (at Edison's New York studio, at Essex County Park in New Jersey, and along the Lackawanna railroad). The precursor to the western film genre was based on an 1896 story by Scott Marble. The film's title was also the same as a popular contemporary stage melodrama. It was the most popular and commercially successful film of the pre-nickelodeon era, and established the notion that film could be a commercially-viable medium. The film was originally advertised as "a faithful duplication of the genuine 'Hold Ups' made famous by various outlaw bands in the far West." The plot was inspired by a true event that occurred on August 29, 1900, when four members of George Leroy Parker's (Butch Cassidy) 'Hole in the Wall' gang halted the No. 3 train on the Union Pacific Railroad tracks toward Table Rock, Wyoming. The bandits forced the conductor to uncouple the passenger cars from the rest of the train and then blew up the safe in the mail car to escape with about $5,000 in cash. The film used a number of innovative techniques, many of them for the first time, including parallel editing, minor camera movement, location shooting and less stage-bound camera placement. Jump-cuts or cross-cuts were a new, sophisticated editing technique, showing two separate lines of action or events happening continuously at identical times but in different places. The film is intercut from the bandits beating up the telegraph operator (scene one) to the operator's daughter discovering her father (scene ten), to the operator's recruitment of a dance hall posse (scene eleven), to the bandits being pursued (scene twelve), and splitting up the booty and having a final shoot-out (scene thirteen).
The film also employed the first pan shots (in scenes eight and nine), and the use of an ellipsis (in scene eleven). Rather than follow the telegraph operator to the dance, the film cut directly to the dance where the telegraph operator enters. It was also the first film in which gunshots forced someone to dance (in scene eleven) - an oft-repeated, cliched action in many westerns. And the spectacle of the fireman (replaced by a dummy with a jump cut in scene four) being thrown off the moving train was a first in screen history.
In the film's fourteen scenes, a narrative story with multiple plot lines was told - with elements that were copied repeatedly afterwards by future westerns - of a train holdup with six-shooters, a daring robbery accompanied by violence and death, a hastily-assembled posse's chase on horseback after the fleeing bandits, and the apprehension of the desperadoes after a showdown in the woods. The steam locomotive always provided a point of reference from different filming perspectives. The first cowboy star, Gilbert M. 'Broncho Billy' Anderson played several roles: a bandit, a wounded passenger, and a tenderfoot dancer. In Filmcollectief we got this movie for transferring and we were so excited that we have put an music-track under it because silent movie is so really silent. Allthough we had a perfect 16mm version, the copy-proces from 35mm to 16mm was not done very well. Anyway, the movie is over 100 years old.


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The Bucket List (2007)






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